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Piedmont travel:
Turin - Torino Architecture

Visit Turin:
Arch. Baroque
Arch. 1800s-today
Turin Art
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Turin Design
Olympic Turin
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 Torino Turin San Lorenzo
San Lorenzo

Turin - Torino grand tour

Walking is definitely the best way to feel the pulse of Turin: stroll around the city parks, drop into its historic cafés, take in the multiethnic quarters, enjoy fashion and shopping, but don’t forget that Turin is magical too. So put on your walking shoes and let your curiosity lead the way.

Architecture

Turin has a Baroque face and an Art Nouveau face, it has its Royal Residences, its bridges and 18km of arcades lining the city center, but there are innovative installations too, set on creating a brand new look.

A tour of 20th-century and contemporary Turin combines a history lesson with an introduction to some avant-garde infrastructures and works of art.

Baroque Turin

For centuries Turin lingered on the edge of the Ancient Roman “checkerboard” layout legacy (even today a distinguishing feature of the city center) and it entered a golden age in the 1600s, thanks to the commitment of the Savoia family, who commissioned the greatest architects of the time to enhance their capital. Great masters arrived in Turin: Ascanio Vitozzi, Amedeo and Carlo di Castellamonte, Guarino Guarini and Filippo Juvarra. The age of Baroque gave the city some of its greatest magnificence, for instance the churches: the Cathedral of San Giovanni Battista and Duomo of Turin, the church of San Lorenzo, the Consolata Sanctuary. Baroque can also be pinpointed as the style used for several of the most famous streets and squares in the old center: Via Po, Piazza Castello, Piazza San Carlo.

Capital of the Duchy of Savoy, the Kingdom of Sardinia and then the first capital of Italy, the heart of the Torinese baroque system is the “Corona delle Delizie”: a circuit of 14 Royal Residences – urban, suburban and some located in the rest of Piedmont – declared “Patrimonio dell’Umanitŕ” in 1997.

Torino Turin Palazzo Reale
Palazzo Reale

Palazzo Madama
Palazzo Madama

The entire region is starred with these magnificent buildings that form a vast circuit. Stately palaces, fairytale castles and immense parks recount a history of dukes and bellicose kings, lovers of art and collectors, refined royal ladies who loved ballet and the theatre, famous royal architects.

Places built for the purpose of entertainment and leisure, splendid hunting lodges, palatial buildings at the heart of modern Italy, the Royal Residences narrate the epic deeds of the House of Savoy, from the grand dukes to the first kings of Italy.

In town we should remember: Palazzo Reale, the Royal Palace was the Savoia residence until 1865, Palazzo Madama, the home of the Museo di Arte Antica and Palazzo Carignano, location of the Subalpine Parliament and first national Parliament, following the Unification of Italy.

The Palazzo Reale is an impressive seventeenth-century building, which has been altered and extended on various occasions down the centuries. It still bears traces of the work of the most important artists active in Turin. Until 1865 it served as the residence of the Dukes of Savoy, the Kings of Sardinia and the Kings of Italy.

It is possible to visit the royal apartments, lavishly decorated and furnished from the seventeenth to the twentieth century to the taste of the Savoy sovereigns. Clocks, porcelain, silver and furnishings, some dating back to the seventeenth century, can be seen.

Out of town: the Stupinigi Hunting Lodge or Palazzina di Caccia, the palace at Venaria Reale and Rivoli Castle, the latter designed by Juvarra in the 1700s, as a homage to Versailles.

The Stupinigi Hunting Lodge, with its beautiful park and extensive surrounding grounds, was built to plans by Filippo Juvarra. Extraordinarily bold and original, numerous architects (Alfieri, Prunotto, Bo) contributed to the group of buildings.

Today it houses the Museum of Art and Furnishing, with its furniture, paintings and objects of great value from the original furnishings of the Lodge, as well as from other Savoy residences. It also houses temporary exhibitions.

Torino - Turin: Stupinigi hunting hut...
Stupinigi, a small hunting hut...

Superga
Superga

The Rivoli Castle is connected by a 20-kilometre direct road to the Basilica of Superga, also by the architect Juvara from Messina.

The Basilica of Superga was built to satisfy a vow made by Vittorio Amedeo II made in front of the statue of the Mother of Graces during a difficult time for the Savoy dynasty. In 1706 Turin was invaded by the French troops of Luigi XIV who ambitiously hoped to transform Piedmont into a French province, but found a fierce resistance on the part of the Duke Vittorio Amedeo II.

The story claims that on the 2 September 1706 the Duke, along with Prince Eugenio, climbed the hills of Superga to examine the battlefield from a great height. The small church at the top of the hill served the few parishioners of Superga. In front of the statue of the Madonna, the Duke made a vow: if he obtained victory against the French, he would erect in that place a large church in his honor.

When descending the hill the two princes discussed their plan of battle. On the morning of the 7th September at 10 o'clock the fighting began. The battle was bloody and terrible but the Piedmontese army had the better of their French counterparts who were defeated. Turin was free and Piedmont maintained it's liberty.

The Duke Vittorio Amedeo II assumed the crown of Sicily and then Sardinia and in 1717 laid the first stone of the glorious temple vowed in the honour of the Madre del Salvadore - The Savour of Turin. It was necessary to lower the hill by forty meters, and after having demolished the existing church, sold to the King by the Council of Turin. The project to build the Basilica was handed to the messinese architect Filippo Juvarra, who produced an outstanding piece of architecture. The Basilica was opened to the public after 14 years of work on the 1st November 1731.

Turin 1800s, modern and contemporary Architecture >>>

Courtesy in part of Comune di Torino



(c) 1997-2008 E. Massetti
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